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The Expanse
- Sales Rank: #13138 in Books
- Published on: 2015-11-03
- Released on: 2015-11-03
- Original language: English
- Number of items: 1
- Dimensions: 9.25" h x 4.75" w x 6.00" l, .0 pounds
- Binding: Paperback
- 1792 pages
Review
"The science fictional equivalent of A Song of Ice and Fire...only with fewer beheadings and way more spaceships."―NPR Books on Cibola Burn
"Combining an exploration of real human frailties with big sf ideas and exciting thriller action, Corey cements the series as must-read space opera."―Library Journal (starred review) on Cibola Burn
"The Expanse series is the best space opera series running at full tilt right now, and Cibola Burn continues that streak of excellence."―io9 on Cibola Burn
"Corey's splendid fourth Expanse novel blends adventure with uncommon decency."―Publishers Weekly (starred review) on Cibola Burn
"A politically complex and pulse-pounding page-turner.... Corey perfectly balances character development with action... series fans will find this installment the best yet."―Publishers Weekly on Abaddon's Gate
"It's been too long since we've had a really kickass space opera. LEVIATHAN WAKES is interplanetary adventure the way it ought to be written, the kind of SF that made me fall in love with the genre way back when, seasoned with a dollop of horror and a dash of noir. Jimmy Corey writes with the energy of a brash newcomer and the polish of a seasoned pro. So where's the second book?"―George R.R. Martin on Leviathan Wakes
"An excellent space operatic debut in the grand tradition of Peter F. Hamilton."―Charles Stross on Leviathan Wakes
"High adventure equaling the best space opera has to offer, cutting-edge technology, and a group of unforgettable characters bring the third installment of Corey's epic space drama (after Caliban's War and Leviathan Wakes) to an action-filled close while leaving room for more stories to unfold. Perhaps one of the best tales the genre has yet to produce, this superb collaboration between fantasy author Daniel Abraham and Ty Franck should reawaken an interest in old-fashioned storytelling and cinematic pacing. Highly recommended."―Library Journal on Abaddon's Gate
"Literary space opera at its absolute best."―io9.com on Abaddon's Gate
"[T]he authors are superb with the exciting bits: Shipboard coups and battles are a thrill to follow."―Washington Post on Abaddon's Gate
"Riveting interplanetary thriller."―Publishers Weekly on Leviathan Wakes
About the Author
James S.A. Corey is the pen name of authors Daniel Abraham and Ty Franck. They both live in Albuquerque, New Mexico.
Most helpful customer reviews
48 of 53 people found the following review helpful.
Big Fun low tech space opera
By S. broussard
I’ve been reading SF for about 50 years, but lately reading is difficult because I can’t find enough authors who write like Gene Wolfe. So I chose some space opera, which is usually exciting. The Expanse series is definitely exciting, and although it bothers me a lot, I keep reading it. I’m less than halfway through it.
It’s stunningly old-fashioned. I don’t know if it was intended to be, but prefer to believe it was. It’s either a pulp update or a hard SF backdate.
The writer is James S.A. Corey, who is Daniel Abraham and Ty Franck. I was already an admirer of Abraham’s work. Franck is unknown to me, but he’s worked as George R.R. Martin’s assistant, so he knows a thing or two about storytelling. I’ve been reading Martin since the 70s and I’m a huge fan of his recent work.
The story involves three uneasy human societies in their three locations in the solar system: Earth and Luna, a terraforming Mars, and the Outer Planet Alliance, the “Belters.” Murderous political intrigue enters, all centered around a mystery artifact that is Other. The story is fun, the horrors are indeed horrifying, the pace is fast, the writing is solid if unimaginative, and the characters are amusing if sometimes poorly drawn. The main protagonist, Chief Officer and now Captain Jim Holden, struggles with his transformation from honorable Nice Guy to self-appointed hanging judge, and in the second book must face the romantic consequences. Another protagonist from the first novel, Detective Miller, falls into hopeless love with one of Other’s first victims. So far in my reading, all of the other characters remain unchanged through ordeal after crisis after ordeal.
The characters are types, I’m afraid, and not subtle ones. The military types exude authority and threat, the diplomatic types know what each other will say before they say it, the girlfriend knows her boyfriend better than he does, and the big engineer, rough and gruff, has a heart of soft gold. A Samoan-sized (but beautiful, of course) female marine demonstrates some growth or complexity, while the military leader Fred Johnson most certainly does not, and is all cartoon. His jaw clenches when he’s angry. As for the Captain:
“James Holden, the man without secrets. The holy fool who’d dragged the solar system into war and seemed utterly blind to the damage he caused. An idealist. The most dangerous kind of man there was. And a good man too.”
Who else do we know who is a great dad and husband and got maybe two hundred thousand people killed … no, the authors wouldn’t have; Holden is described as “pretty.”
Besides a few distinguishing traits such as a drawl here or a potty mouth there, all the characters speak with the same vocabulary, which is probably the daily one used by the authors themselves, those two guys who gave us a well thought out story inhabited by people who weren’t given the same benefit.
Another thing I found most peculiar – but finally charming – is the low tech that is everywhere in this spacefaring civilization, what a Wikipedia author called “realistic,” and a GeekDad writer called “easily recognizable.”
Early on I noticed the lowT floating by and thought it curious, but the first anomaly that clanged an alert was a security camera broken by punks on an asteroid station. The setting is 200 years ahead at the very least, when the colonial population of Mars is four billion. Although many things can go wrong off-planet, an easily-broken security camera seemed rather clunky. This is the future; they would be encased in something impervious to punks if not undetectable. Then the cops smoking in the police station, the earbuds, the ubiquitous hand terminals that require action to connect to a station’s network, as in: “He set up his terminal, turning the camera on himself.” Maybe he had a little table stand from Amazon Off Planet. And then the use of shotguns on spaceships. The use of coffee filters on spaceships.
I have a memory from the first book wherein the authors exposit that all upgrading development on the small stuff was forgotten in favor of the big stuff upon the appearance of the ship drive that enabled the Expansion. I’m not buying it. And a reasonable argument could be made that things such as earbuds and coffee filters can’t be improved, and are the final word in efficiency, the satisfying end of technological convenience. But I don’t make that argument.
Instead I see it all as deliberate. The Noir is there, so why not hold back time a little bit to get its stale smell in the air? It goes well with the cardboard perfume wafting from the characters – which I’m mostly fine with. I like the genre fusion, and although the lowT often whacks my sensibilities, I like this series. The copyright date of 2011 isn’t so long ago that Virtual Reality and quantum familiarity wasn’t already an Ikea-like presence in the sub-genre’s furniture, so I choose to see the lowT as an admirable touch of retro, very outr� and a devilishly clever form of steampunk.
I hope my criticism doesn’t discourage anyone from reading this series (soon to be a well-deserved SyFy original series in December 2015, and my congratulations to the authors). It’s huge fun. SF grew progressively headier when I started in the 60s, but what originally drew me to it was space and the ships that sailed it, and I thank the authors for returning me to the original Wonder.
13 of 13 people found the following review helpful.
A great series that harks back to the space pirate novels of Scifis Golden Age.
By A wandering reader
This series will take you back to the Lucky Starr (Asimov) asteroid belt space pirate novels of the nineteen-fifties if you are of a certain age, as I am. TO be honest the strength of my review is somewhat biased based on the writers hitting that internal chord.
As the theme (The Expanse) of the series indicates this story is told on a grand scale that encompasses the frictions of the mother planet (Earth) who needs the resources that are found in the 'Belt', juxtaposed against the oppressed miners and denizens of the Belt, and those of Mars; who feel that they should have sway in the orbits beyond earth. In Leviathan Wakes we find the solar system on the brink of war, a plot is set in motion with a distress call received by an ice freighter from an apparently disabled ship. On investigation, the rescue party discovers a false beacon and that an attack is underway that destroys their mother ship. In a parallel storyline, a detective on Ceres is tasked to find a kidnapped heiress who has spurned her birthright for a commoners existence as a crewman on a mining vessel. The first book deals with the seemingly unconnected events that bring these two plotlines together at the end.
The second book, Caliban's War picks about a year after the end of the first book. THe lovable crew of the Rociante, Holden, Nagato, Amos, and Alex are back doing the bidding of the OPA's chief Fred Johnston. Aversarala the UN bigshot also has a meatier role in this book.The plot driver here is the persistence of the alien mutagenic virus/protomolecule that turns humans into monsters, and its apparent deployment by an unholy cabal formed by a business man, and a renegade UN admiral. A key new character- Bobbie, the Martian Marine who is seconded to the UN after her team is wiped out by the monsters, is also introduced and carries a lot of the action. Scenes in which she appears are the best in the book. We end on a cliff-hanger as a ship infected with the protomolecule that crashed into Venus midway thru the story launches a ring-shaped construct into the outer reaches of the solar system.
Abbadon's Gate, the third major book in the series, deals with the three major powers reacting to the events of the cliffhanger ending of Caliban's War, where the original threat of the protomolecule has evolved into something larger - the gate of the book's title. Nobody really know what it is but everyone knows they must control it. Space battles ensue!
THe good stuff-
The writing is solid, but not inspired.
The 'future' of the Expanse is a little worn out and grimy. I like that.
The tech stuff is well researched and plausible, and the writers don't bore us with trying to explain how it all works- thanks for that!
THe overarching storyline - a war between the planets and a possible conspiracy to deploy an alien virus, is very compelling and drives the action at a good pace. I stayed up late reading these books!
The not so great stuff-
In the first book, except for the lead characters- Detective Miller, and Captain Holden characterization is pretty weak. I would expect a little more from someone who has worked with George RR Martin- just sayin! The second one improves on this defect quite a bit. We find out a lot more about Holden, and a litte bit about Nagato. Bobbie is a great character that is well developed as the plot unfolds.
The first book teeters with throwing too many space battles and shootem-out scenes at you. There is a point about two thirds of the way through where the action scenes consume chapter after chapter. They started to lose me before this was done and the story moved on. The second book is also very action oriented, but it didn't seem to bug me as much as the first, as my attention never wandered while I was reading it.
Bottom-line. I think you will find this is some of the best scifi you have read in a while. THe writers manage to paint a realistic picture of what life in outer space might be like a few hundred years hence, and of the conflicts that will surely arise as Earth planted colonies mature and choose their own destinies. This series ranks as my favorite scifi of the last few decades. No higher praise can be given.
Highly recommended!
11 of 11 people found the following review helpful.
Big, luscious bon-bon space operas, and great reads
By Rich Grace
Reminds me, in a good way, of Asimov's Foundation series, with considerably more action and movement. They have some of the same facility that Asimov did, with a bit more flair for action. There's a good deal of suspense to be found here, particularly in the first book, "Leviathan Wakes," which I found impossible to put down. Other reviewers here note that character development is mediocre in the Expanse series. Compared to Jonathon Franzen and Michael Chabon, definitely. But you have to consider the genre. Most science fiction/space opera stuff isn't character-driven, it's plot-driven, and the characters' development is secondary. Look at John Varley, the earlier Heinlein, and pretty much all of Asimov (just to name a few). We're not talking Tolstoy here. These books are big, luscious bon-bon space operas. I think this set is above average and a sure thing if you want to chill out with books that keep your interest and keep things moving. These do. Closest thing I can think to compare it to is the second Battlestar Galactica, a TV space opera of the first order with unusually strong character development.
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