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Green Girl: A Novel (P.S.), by Kate Zambreno
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With the fierce emotional and intellectual power of such classics as Jean Rhys's Good Morning, Midnight, Sylvia Plath's The Bell Jar, and Clarice Lispector's The Hour of the Star, Kate Zambreno's novel Green Girl is a provocative, sharply etched portrait of a young woman navigating the spectrum between anomie and epiphany.
First published in 2011 in a small press edition, Green Girl was named one of the best books of the year by critics including Dennis Cooper and Roxane Gay. In Bookforum, James Greer called it "ambitious in a way few works of fiction are." This summer it is being republished in an all-new Harper Perennial trade paperback, significantly revised by the author, and including an extensive P.S. section including never before published outtakes, an interview with the author, and a new essay by Zambreno.
Zambreno's heroine, Ruth, is a young American in London, kin to Jean Seberg gamines and contemporary celebutantes, by day spritzing perfume at the department store she calls Horrids, by night trying desperately to navigate a world colored by the unwanted gaze of others and the uncertainty of her own self-regard. Ruth, the green girl, joins the canon of young people existing in that important, frightening, and exhilarating period of drift and anxiety between youth and adulthood, and her story is told through the eyes of one of the most surprising and unforgettable narrators in recent fiction—a voice at once distanced and maternal, indulgent yet blackly funny. And the result is a piercing yet humane meditation on alienation, consumerism, the city, self-awareness, and desire, by a novelist who has been compared with Jean Rhys, Virginia Woolf, and Elfriede Jelinek.
- Sales Rank: #309670 in Books
- Published on: 2014-06-24
- Released on: 2014-06-24
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x .68" w x 5.31" l, .50 pounds
- Binding: Paperback
- 304 pages
Review
“A major step forward for a talented and whip-smart writer.” (James Greer, BookForum)
“I can’t recall the last time I read a book whose heroine infuriated and seduced me as completely as Kate Zambreno’s Green Girl.” (Elissa Schappell, Vanity Fair)
“[An] electric talent . . . a risqu� darling [with] serious literary cachet.” (Gina Frangello, The Rumpus)
“If you were ever a green girl, you will recognize yourself on page after page.” (Lightsey Darst, Bookslut)
“It cracks, it zings. It makes you call your girlfriend and read sections aloud over the phone.” (Kirkus Reviews)
“The best word to describe Kate Zambreno’s Green Girl is searing. . . A novel about a young woman who is learning how to perform her femininity, who is learning the power of it, the fragility of it.” (Roxane Gay, Bookslut)
“Brilliant. . . This is a book I could see savored by both a teen finding great solace in, and by someone like myself, who probably could not be more removed from the lifestyle of its matter.” (Blake Butler, HTMLGiant)
“Kate Zambreno writes with the clear eyes and steady hand of a v�rit� filmmaker.” (Pamela Lu)
“Zambreno’s Ruth is literature’s lost girl. . . A harrowing, brilliant book.” (Kate Durbin)
“Not since Faulkner first arrested my heart and stole my breath in The Sound and the Fury have I been as ravaged by the language of a novel as in Kate Zambreno’s Green Girl.” (Lidia Yuknavitch)
“An ambitious synthesis of millennial identity crisis, lyrical experimentation and emotional self-destruction. . . . Zambreno has the writing chops for this unconventional journey.” (Kirkus Reviews)
“…elegant, crystalline, eminently readable…” (L.A. Review of Books)
“…a fresh and important new voice in literature… Ambitious but difficult to pin down, smart, stylish, and filled with supercharged prose that pulsed with the searing intensity few writers could maintain throughout an entire book...” (Flavorwire)
“A deeply character-driven book, Green Girl allows its narrator to insert herself with pity, scorn or deliberate self-recognition, as though a god watching her creating crawl fitfully through the city streets... (Shelf Awareness)
“Zambreno’s novel unfolds with a filmic quality, of scenes playing out with lyric intensity.” (The Millions)
“This is Zambreno in high form, unrelenting in her emotional sincerity and intellectual acuity, a necessary voice in a still green world.” (Berfrois)
“The young woman’s existential novel for the new millennium. The book is smart, experimental, and just a little bit dangerous . . . It’s a must-read for anyone who’s ever wanted a 21st century update to the Bell Jar. . . Reading it will resonate.” (Bustle)
About the Author
Kate Zambreno is the author of O Fallen Angel, Green Girl, and Heroines. She is at work on a cycle of memory and history, Drifts, Switzerland, and Book of Mutter.
Most helpful customer reviews
15 of 17 people found the following review helpful.
Dear God, I'm glad I'm not 20 anymore
By Scott Kennedy
A devasting prose-poem on the lack of identity that can infect one's early 20s. I loved it. Worth reading for the narrative voice alone. Also, I should mention that I had no intention of actually reading this book when I did. But glancing at the first few pages sucked me right in and then I couldn't stop. This is not a book to read for plot; it has little. But it captures and evokes an experience perfectly. As a reader in my 40s, this is a book to savor, remembering what it was like to be so unformed, and to make me damned glad I'm not 20 anymore. I could go on about other terrific qualitities of the book and the way it reflects our current society, etc., but really, you'd be better off reading it yourself (it's short) and forming your own opinion. Highly recommended. If I had to make a trite movie pitch for the book, I'd say think of it as Bridget Jones's Diary for pessimists or Catcher in the Rye for the Jersey Shore generation, one where our heroine is inarticulate and essentially vapid, but entrancing, troubling and moving nonetheless.
11 of 13 people found the following review helpful.
Kate Zambreno's Green Girl
By Andrea Quinlan
I think that Green Girl is one of the best novels of 2011. More than that, I feel like it's a novel I have been waiting to read my whole life. I can see the influences reviewers and Zambreno herself have mentioned - Lispector, Plath, the fact that Ruth is like Cleo in Cleo from 5 to 7. I love the novel for the way it engages with the history of art and literature as well as being a novel I can see apects of my own life in - even if I'm not and never have been an American working in London at a perfume counter. It's easy to identify with Ruth and her uncertainty and coming into being. I haven't read anything quite like it and I'm so grateful for it.
Green Girl is a novel that is impossible to put down, yet will stay with you once you have read it. You devour each chapter of Ruth's story which is punctuated with quotes, from Shakespeare to Rhys and Colette, like the intertitles of a new wave film. This is entirely appropriate as Ruth, who is a Godard like ing�nue, is obsessed with the glamour of film and herself lives her life as a character observed by all - the women she works with, the men she has toxic relationships with, strangers on the streets, the maternal and voyeuristic narrator, us - the readers of the book. Yet, like Varda's Cleo, Ruth longs to escape from this glare to find something, her artistry.
Green Girl is a genius, brilliant work of art. A walk with a 21st century fl�neuse. I can't recommend it enough.
4 of 4 people found the following review helpful.
"You speak like a green girl
By Amelia Gremelspacher
This novel takes the pedestrian idea of the interior life of the young girl and allows it to soar. The green girl is Ophelia from Hamlet, "You speak like a green girl, unsifted in such perilous circumstances. " She cannot escape from herself and is doomed to observe herself, usually mercilessly, as she searches for the form of herself in her ideal setting. She lurks ambivalently through the "glow of thingness. Everything so beautiful." It is "porn for impressionable women", women such as she.
I picked this book up after reading a critique in the flawless "Bad Feminist", and I am beholden for the reference. It is wonderful witty book that achieves what so many fail attempting: it transports the older woman to her past. It has some sting, but it is a careful sting. I winced at times, but it was a good ache from remembered pain. This is a great book.
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